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The Best MC’s Ever: Delivery

Monday, January 3rd, 2011

CRITERIA FOR GREATEST EMCEES EVER

First of all, I’m not listing any of these in order. It’s pointless. Too many of these guys have reached an elite status to the point where they’re all just incredibly gifted and putting numbers on them only makes it appear like one is that much better than the other. So, because of that, I’m not claiming any of the greatest to be THE GREATEST, but rather, all of them are worthy of the title to some degree.


First up is delivery. The word is defined as an act to convey. To take it from one place to another. So, in the craft of emceeing, delivery refers to how the rapper takes his words from mouth to microphone. It’s a combination of the sound of their voice, inflection and tone. Some would confuse this with flow but they’re wrong. That’s another element of rapping that makes up the art of emceeing. This list is solely about delivery, so make sure to forget about lyrics, flow or any other parts of emceeing you may think a particular rapper lacks. These are the top delivery MC’s of all time.

Tupac

I hope nobody reads this and makes one of those ridiculous faces like I don’t know what I’m talking about. Old school, new school or whatever your hip hop tastes may be, there is no denying Tupac’s incredibly harmonious and commanding delivery. When ‘Pac was on the mic, everyone knew. He stepped up and took every beat hostage and had his way with it. It didn’t matter whether the song was slow or fast, thoughtful or gangster, Tupac always came hard. There’s really not much more to add other than the fact that ‘Pac, without a doubt, had one of the greatest emcee deliveries of all time.

Biggie Smalls

Sorry to put these two one after another just like everyone else but it’s pretty much inevitable here as their feud was party sparked because both rappers were incredibly gifted. That both had an amazing and distinctive delivery made the rivalry even better because their songs were always put down with authority. While Biggie didn’t come quite as hard as his west coast rival, his laid back but melodic delivery was sometimes almost beautiful to listen to. Just hear him flip it on Notoriouis Thugs or his remix of Goin’ Back to Cali and just enjoy how good his voice sounds over a beat. Biggie was notorious but his delivery was silky.

Eminem

It’s a mid-western voice that sometimes seems like it’s being rapped through his nostrils but you can’t knock the power of Em’s delivery. While it can sound whiny, his sound hooks you in right away especially since it’s usually coming at you like a machine gun. Not many fast rappers can sound good because it can come off sounding like psychobabble but not Eminem. It’s not my preference or the sound I enjoy but when he’s on the mic, I’m listening and just about everyone else is too. What’s fascinating is that he’s always sounded “white” as a rapper, a definite no-no in hip hop. However, Em is one of the few rappers that made sounding white sound really good.

Bone Thugs & Harmony

Okay, so it’s a whole group but they all deserve recognition equally (although Bizzy Bone is probably the best). Quite possibly the only emcees to be wildly successful because of their delivery, Bone Thugs’ songs will live on forever because they’re close to impossible to duplicate. They were the first rappers to give us the sing-song delivery, something most of us hadn’t heard until they came along. Many have tried to replicate this style but almost all have failed. You’re almost getting a soul performance along with your hip hop whenever Bone Thugs comes on and that would seem crazy if they didn’t sound so damn harmonious doing it.

Dose One

I had to put Dose One right after Bone Thugs for a specific reason: listen to one, then listen to the other and tell me there’s not some similarities in their deliveries. That Dose is from Cincinnati while Bone Thugs come from Cleveland might be an indication of that particular style of delivery being central to the mid west. However, Dose’s delivery is weirder and more ambient, a fresh sounding voice that never fails to impress. Me and some friends saw him perform a few times and he sounded on stage precisely as he does in his recorded tracks. That’s worth  mentioning since so many emcees have their voices altered and mixed to the point where their real delivery sounds terrible. With Dose, that’s not the case and there’s no way to argue how unique and distinctive this Cincy emcee’s delivery is.

Ice Cube

He comes hard with authority. That’s the best way I can explain the impact of Cube’s delivery in his songs. While not as versatile as Tupac, they shared the ability to command every one’s attention when they were rapping. Cube was one of the first platinum solo gangsta rappers in hip hop, and was also known for great lyrics as well as thought-provoking subjects on current issues. There was an obvious anger in his voice but that translated to a ferocity that gave his rapping strength and substance. And after more than twenty years in hip hop, it’s not just luck that Cube has remained a stable in the culture. His first three solo albums, along with many tracks he did while with NWA, remain classics to this day.

Redman

Say what you want about Redman but you always knew when he was rapping. I remember when he first hit the scene with “Time For Some Aksion” and everybody immediately wondered who was spitting out this madly unique delivery. It was filled with east coast grit and came with a grimy attitude that fit Redman’s personality perfectly. It’s a wild delivery, one with a lot of spunk, fire and quirkiness but it also seems to come out of Redman’s mouth like a semi-automatic weapon, in short, hard spurts. What I always admired about Redman was that he wanted you all to know whenever he was rapping and managed to succeed without neglecting his oddness.

Eazy E

The truth is, Eazy Duz itt. It’s too bad he’s dead because here’s an emcee with a delivery many of today’s rappers could learn from. His high-pitched voice matched his diminutive stature, but that didn’t matter because the presence of his delivery was gigantic. Behind those black Locs, his Raiders hat and a long jheri curl, Eazy came with perhaps the most recognizable voice of any emcee at the time, he was also the easiest NWA member to pick out in a song. That he looked and sounded tiny didn’t matter because the delivery carried the weight of a legacy  that has lived on forever. His first album, Eazy Duz It, is still one of the greatest and most distinctive solo albums in gangsta rap history and it’ll be hard to ever supplant the amount of clout his delivery had.

Aesop Rock

I still remember my friends and I trying to mess around by doing our best Aesop impressions but his delivery is one of the hardest to mimic. My favorite thing about him is that he’s always sounded like he’s making up words on the spot but it’s consistently fresh to listen to. There’s also no denying that New York bred toughness in each of his words, always sounding like he’s delivering his verses from some dark back alley in the grimiest part of the Big Apple. Sure, Aesop is hard to understand but there’s a distinction in his delivery that can’t be overlooked.

Chuck D

If there’s one thing Chuck D did great as an emcee, it was hitting the mic like his life depended on it. With Chuck, there was also this urgent, powerful voice that told you to listen, and listen now. There was a reason Flava Flav was the hype man and “other rapper” because there was no way he could ever command the attention that Chuck D could. I still think his best performance comes on Shut ‘Em Down where his start to the opening verse still gives me goosebumps today. Whether you want to or not, Chuck D makes you listen when he’s on the mic.

Too $hort

It’s hard to immediately let someone know how much of  a pimp you are, but Too Short always had that in him. He doesn’t even need to utter one “bitch” or “ho” before you know, for a fact, this guy is a pimp. He’s always been so mellow and easy with his delivery that you wonder whether he just kind of stopped by and dropped a rhyme for the hell of it. It’s that casual approach to his voice that sets him apart from other emcees who consider themselves pimps or hustlers. One of Oakland’s finest remains one of the better deliveries in hip hop.

Scarface

Possibly the silkiest delivery of them all, Scarface sounds so smooth on the microphone that sometimes he doesn’t even bother to rhyme. Yeah, it sounds that smooth. My favorite verse he ever dropped came on the Geto Boys’ “Damn it Feels Good to be a Gangsta” and this part in particular, is still my favorite just because of how he says it in the simplest of words:

Real gangsta-ass niggas don’t talk much
All ya hear is the black from the gun blast
And real gangsta-ass niggas don’t run for shit
Cuz real gangsta-ass niggas can’t run fast


Del tha Funkee Homosapien

I always like writing his full rap name because it’s one of the most idiosyncratic of all time. Del, however, has been known for his delivery since the moment he was on the map. It’s what always separated him apart from every other emcee to this day, a wild array of tones in his voice that sound like the microphone has been taken over by an alien. You hear him and instantly say: he sounds interesting. But in a really good way. He’s a great emcee to listen to and remains one of the biggest influences for west coast underground rappers to this day. One of his greatest strengths was how he changed the intonations of his voice according the beat. It’s also another big part of what makes Del a phenomenal emcee.


KRS-One

The philosopher still always makes me think of Boogie Down Productions’ “My Philosophy”, one of his most well known songs. Where guys like ‘Pac and Cube made you aware of their presence with aggression, KRS made you want to pull up and chair and hear what he had to say. It’s thought provoking, discussing a wide variety of subjects with the insight of a street professor. There’s a wisdom you have to credit him with, and it’s in his voice, in every verse, from BDP on to his solo career. His verses are delivered to you like a lesson plan and you listen, knowing damn well you’re going to learn something from KRS.


Snoop Dogg

You can sweat Snoop on anything you want rap wise but you can’t ever knock the delivery. Where Scarface may be the silkiest, Snoop might be the funnest. When Snoop starts rapping, everyone wants to hang out and party. Even with his stories of the gangsta life, Snoop isn’t as intimidating and he is cool. His voice matches his pothead personality, something that’s obvious in his super laid back delivery. The best thing about Snoop’s voice is it sounds as if he’s rapping to you as a friend that’s hanging out and smoking a joint with him. Then again, maybe that’s exactly what he wanted all along.


Method Man

Method Man, without a doubt, is the king of grime when it comes to emcee delivery. But with Meth, you get smooth grime, an easy-going delivery that still sounds like it comes from the sewers. “Bring the Pain” is a great example of quintessential Method Man, especially the beginning of the opening verse, but his best sounding song to me is “The Riddler” off the Batman 3 soundtrack. The way his voice sounds to that beat is awesome and his fluid delivery is worth listening to on this track as well as many others. His voice was also a huge asset for the Wu-Tang Clan, probably a big reason they had Method Man be the first solo album to drop from the legendary group.


Nasty Nas

Don’t take this the wrong way but Nas always sounded like a teenager to me and still does, even after all of these years. Maybe it’s his smallish frame that gives him a less-than-intimidating voice but it’s how good the man made it sound that can’t be denied. A lot of emcees have tried copying his quick, urgent delivery but all of them just sound redundant. Nobody can truly mimic Nas’s voice because it’s too distinct, too good, too Queensbridge. That hard NYC accent can be heard distinctly in his vocals, a classic hardcore New York MC telling tales from the hardcore Queensbridge projects. I think part of what makes him so great is that his voice isn’t intimidating even when his verses depict scenes of urban misery. it doesn’t instill fear so it makes it easy to listen to and hear what he has to say.


Busta Rhymes

One of the most original deliveries ever belongs to none other than Busta Rhymes. He sounds as if Dr. Seuss and the Cookie Monster joined forces to create a new form of emcee. His voice is a constantly fluctuating sound of words uttered in grunts, grumbles and roars. Busta’s delivery is not soft on the ears and he’s never apologized for it nor should he have to but even with though is vocalizations is gruff, it always sounds fun. And while Busta Rhymes is not the greatest ever, he’s probably the zaniest.


Gift of Gab

When he hits the mic, you listen. You listen because of his presence but also because of what it sounds like coming from his mouth. Gift of Gab is a big man and his delivery is even bigger. The deep tenor of hip hop has an almost operatic voice, one that sounds as beautiful as it does powerful. It’s an insult when I hear people who don’t understand hip hop and say all rappers sound the same. It’s hard to knock some of the great lyricists over the history of hip hop but a good voice will lock a listener in before great lyrics. While Gift of Gab has both, he’s excellent at changing his delivery according the sound of the beat. That’s an amazing gift to have as an emcee and people don’t give it enough credit. Gift of Gab, like many others on the list, is a great example of that.


Black Thought

Perhaps it’s his association with one of the greatest hip hop ensembles in history, but The Roots’ Black Thought is a great emcee. Philly’s finest has a voice that’s a sweet blend of the rugged Philadelphian streets and a classic old school rapper. More a soulful emcee, Black Thought’s delivery comes from a genuine passion for the history of hip hop and live instruments. It’s always a pleasure to hear the streets of Philadelphia in his voice, especially since it’s not the hardcore vibe you may expect from a Philly kid but the smoothness of his rap sound is what made songs like “What They Do” so great. His voice is that of his style, a coffee house rapper that lights poets and writers on fire because he’s always rapped in their voice. Still one of the few emcees that has a somewhat soft delivery with a lot of power.


Big Daddy Kane

Before all these wannabe playas came trying to show their prowess with the ladies, Big Daddy Kane had already been doing it for over a decade. Unlike many of our current emcees, Daddy Kane sounded damn good rhyming. His delivery was smooth but deep. He always came with this laid-back demeanor in his voice like he was rapping in a robe and that’s probably because he was. On top of that, as fluid as he was, Kane was one of the originators of fast rap, something that’s a lot harder to achieve when you’re a silver-tongued emcee. Listen to the Brooklyn bred rapper today, and it’s amazing how far ahead of the game his delivery really was. There’s also no doubt when you listen to him why he had such a hold on the ladies, his voice almost sounding as if it was born from a bass.


Buckshot

The voice of Black Moon was always a cool one, an icy voice that chilled you. Buckshot’s delivery made you want to close your eyes and just nod your head to music so you could listen to his words. The most significant thing about Buckshot’s voice, however, is that it sounds like it was made from honey. The richness of his sound is what perked up the ears of hip hop enthusiasts all across the nation when Black Moon released their first album, Enta Da Stage, in 1993. The honey-voiced Buckshot remains synonymous with Black Moon and Boot Camp Clik to this day.

Rakim

You didn’t think I’d leave the legendary Rakim off the greatest delivery emcees list, did you? Don’t put to much stock into the fact that he’s close to the bottom of the post as it doesn’t mean anything numbers-wise. Besides, you don’t need me explaining how good Rakim’s voice was. It was one of the first, unique deliveries in hip hop, that huge presence on the microphone that so many of us can still recognize and remember as the force behind Eric B. and Rakim. It’s hard to imagine anyone discussing Rakim’s delivery without the mention of his most famous song ever “Paid in Full” but that’s such a great blueprint for emcees, especially in how Rakim forces you to freeze and listen to him. It also goes without saying how many rappers over the course of history tried to mimic Rakim’s jazzy voice because of how much it resonated but nobody has, nor will they ever have, Rakim’s great delivery.

Queen Latifah

Of course, I had to put some lady rappers on here as well. In hip hop, female emcees will always struggle with being in a the shadows of their male counterparts and, unfortunately, it’s no difference in regards to delivery. Latifah, however, delivered with power. She rapped, you listened. It’s as if she always delivering from a podium to a crowd of millions, adamant on getting her point across with the sound of her voice. She also sounded like the last broad you ever wanted to mess with, her delivery coming off like a female freight train in its force. I hear some of the female emcees today and there’s nothing there to separate them from one another. The fact that she has a more demanding delivery than most male emcees definitely earns Queen Latifah major props


MC Lyte

Perhaps the greatest female emcee of all time, there’s a reason for the lofty title. That delivery meant business. It was rough, gruff and in your face, and straight from the streets of Brooklyn. Her voice hit hard, grasping the beat and giving you a sound you could easily distinguish from anyone else. And, even if it’s not exactly delivery-related, Lyte is one of the first female emcees to write up a dis song to rival Antoinette back in late 80′s. Demanding our utmost attention, MC Lyte also grabbed us with her uncensored, unapologetic delivery, showing tons of prowess with her outstanding voice.

Best Posse Cuts of All Time

Monday, February 8th, 2010

A posse cut is a hip hop song by more than four rappers. A group itself cannot make a posse cut however, a crew can. Wu-Tang Clan, Hieroglyphics and any crews like this qualify for many posse cuts but I limited this list to one per crew. Freestyles were excluded since they’re not premeditated songs.

Here we go, from 15 to 1

15) Tie

Self-Destruction (KRS One, MC Lyte, Kool Moe Dee, Stetsasonic, D-Nice, Ms. Melodie, Doug E. Fresh, Just Ice, Heavy D, Public Enemy)

Doug E. Fresh: “Things been stated, re-educated, evaluated/thoughts of the past have faded.”

We’re All In The Same Gang (King Tee, Body & Soul, Def Jef, Michel’le, Tone Loc, Above the Law, Ice-T, Dr. Dre, MC Ren, JJ Fad, Young MC, Digital Underground, Oaktown’s 3.4.7., MC Hammer, Eazy E)

Young MC: “I try my best to set an example, sayin hype lyrics over hip-hop samples.”

14) What’s Up Doc? (Can We Rock?) (Shaq & Fuschnicken)


Chip: “So howdy, my partner, I starts to get meaner/so ask Bob for hope, nope, not Mr. Bob Dobailina/oh, where has my mic gone? Tell me, have you seen her?/I stretch like a condom and gets plump like a weiner.”

13) Headbanger (EPMD, K-Solo, Redman)

Redman: “Surpise niggaz, the original p-funks you up/I take a hit from a spliff and then get biz with the new cut/because I can jam like teddy if you let me/a Goodfella but still rugged like Joe Pesci.”

12) Uni4orm (Cannabis, Ras Kass, Heltah Skeltah)

Cannabis: “I pulverize MC’s and blow up mics/from street corner cyphers to international web sites/I’ll run up on you and set it for no reason/my flows are like body-blows that cause internal bleeding.”

11) Live At The BBQ (Nas, Akinele, Large Professor, Fatal)

Nas: Poetry attacks, paragraphs punch hard /my brain is insane, I’m out to lunch God /science is dropped, my raps are toxic /my voicebox locks and excels like a rocket.

10) The Symphony (Masta Ace, Craig G, Kool G Rap, Big Daddy Kane)

Kool G Rap: “When G Rap strikes the mic, I recite the type of hype that you like/and make the people unite, grip up hips and zip up lips/step on reps, you flip and wanna sip on my tip.”

9) Triumph (Wu-Tang Clan)

Inspektah Deck: “I bomb atomically, Socrates’ philosophies/and hypothesis can’t define how I be droppin these/mockeries, lyrically perform armed robbery/flee with the lottery, possibly they spotted me.”

8) What’s the Difference? (Dr. Dre, Phish, Xzibit, Eminem)

Xzibit: “Yo I stay wit it while you try to perpetrate, play wit it/never knew about the next level until Dre did it (yeah!)/I stay committed while you motherfuckers baby-sitted/I smash you critics like a overhand right from Riddick”

7) Flava In Ya Ear (Remix) (Craig Mack, Rampage, Notorious BIG, LL Cool J)

Busta Rhymes.: Five new flavas on beat…feel the fuckin’ heat/I really think you should retreat while we blow up the street/instead of copping pleas just freeze, maintain the focus while we smoke these marijuana trees.”

6) Lafleur Laflah Eshkoshka (Fab 5 – Heltah Skeltah, Original Gun Clappaz, Buckshot)

Rockness Monsta: “Ay carumba, strang gun clappa number/one on the set and I’ll cut ya like lumber/still play the back in my thundergear, down to my underwear/make all you muthafuckas wonder where”

5) The Points (Notorious BIG, Coolio, Doodle Bug, Big Mike, Buckshot, Redman, Menace Clan, Heltah Skeltah, Bone Thugs, Jamal)

The four short verses by Bone is part of the reason this is one of the top 5 posse cuts of all time. Biggie, Buckshot, Redman and Jamal are all pretty good as well.

4) Soweto – (Pep Love, Tajai, Casual, Del, A-Plus, Opio of Hieroglyphics)

Del: “So I go astray throw aways blow away/every hope I hold today, we were sold as slaves/the sky is cold and grey, my niggas showed the way/so fan and listen now with this I see my golden age.”

3) Hit ‘Em Up – (Tupac & Outlawz, E.D.I. Mean, Hussein Fatal, Yaki Kadafi)

Tupac (Chorus): “Grab ya glocks, when you see Tupac/call the cops, when you see Tupac (uhh)/who shot me, but ya punks didn’t finish/now ya bout to feel the wrath of a menace nigga, I hit em’ up…”

2) Scenario (Tribe Called Quest & Leaders of the New School)

Phife Dawg: “Aiyyo Bo knows this (what?) and Bo knows that (what?)/but Bo don’t know jack, cause Bo can’t rap/well whaddya know? the Di-Dawg is first up to bat/no batteries included, and no strings attached.”

1) Notorious Thugs (Notorious BIG, Bone Thugs & Harmony)

Notorious: “Spit yo’ game, talk yo’ shit/grab yo’ gat, call yo’ click/squeeze yo’ clip, hit the right one/pass that weed, I got to light one/all them niggaz, I got ta fight one/all them hoes, I got ta like one/our situation is a tight one/whatcha gonna do, fight or run?”

MOST OVERRATED RAPPERS YOU’VE PROBABLY HEARD OF

Monday, September 21st, 2009

A recent Stop Pop Culture feature, “Best Rappers You Probably Never Heard Of” got a lot of feedback, some totally disagreeing while the majority of the comments seemed to be positive. Many hip hop fans suggested other MC’s, some which were forgotten, some a little too mainstream and some that were downright terrible (some of them will be listed here).

*In no particular order

Immortal Technique

Immortal Technique

I could really care less about Immortal Technique’s following. It’s all political rap that gets so boring, I’d rather just listen to the people who started that trend: Public Enemy and NWA. Immortal Technique is a good rapper, no doubt about it. But he’s not the be all, end all of MC’s. In fact, he’s not even in the top 20. If any of his die hard fans are steaming after reading this, fire away. His subject matter is similar to Nas, OC, and some other East Coast rappers of the 90′s. There was also a rapper from L.A. named Ras Kass who was spitting these kinds of rhymes before IT was. Check out his lyrics and there’s a resemblance although Ras Kass has the edge in skills.

Puff Daddy 2

Diddy/Puff Daddy/Puffy/Whatever

It would have been nice for Puffy to have kept his musical talent confined to making beats and producing but instead, he had to rap because that’s a better way to grab the spotlight. Great beats and horrible lyrics galore, Diddy always put out big hits but people were swinging their hips to his musical beats and laughing at how elementary many of his lyrics were. I always point the finger at Puffy for killing hip hop as he’s to blame after his greatest project, Notorious, was murdered. In the early days, when Biggie was around, Puff didn’t rap all that much. I miss Notorious.

LL Cool J 2

L.L. Cool J

You could split LL’s rap career in half and any MC would take his first half, skills wise. It’s fascinating that he’s been in the game so long, and it’s well deserved. However, he’s totally fallen off as a rapper, mostly since he wanted to be a movie star that can’t act very well. Go way back to one of his first songs ever, Radio, and hear how hard LL slams the beats with his delivery. He does it with a New York style f**k you and you can hear the authority in his voice. LL also did way too many love songs that don’t stand so well with the hip hop faithful.

Ziegfeld Theater

Kanye West

True hip hop heads will tell you Kanye is a hell of a talent in the producer’s circle, not so much so as a rapper. If you disagree, you probably don’t understand the MC craft that much. Lyrically, he’s good. Not the best, but worthy. In no way am I saying West sucks as a rapper but he’s mediocre, not the next coming of Common. The fact that Kanye himself acts as if he’s the greatest thing to walk the planet makes him even worse. There are 20 rappers in the last 10 years who would burn Kanye even if they had bronchitis. West needs to check his ego at the door. True hip hop fans know that quote well.

50 cent 1

50 Cent

How about this: rather than me creating an argument about how overrated 50 Cent is, how about someone explain to me why he’s held in such high regard? It’s called MTV, a force in music that will blow up anyone for the right amount of money. If you don’t think producers, record companies and even artists themselves don’t pay MTV for massive exposure, you’re wrong. MTV hasn’t treated hip hop right since they canceled Yo! MTV Raps. Get a clue, MTV. In fact, shut down and leave music!

Anticon

Anticon (Sole & Alias)

This is for all you underground/indie hip hop fans still swinging on this group’s ball sack: FUCK ANTICON. Just because you listen to Anticon doesn’t make you hip hop either. It makes you a self righteous jerk off who thinks they know hip hop. People responded to another post I wrote claiming Sole was great. Sole sounds like a typical white rapper trying to be incredible but falls into a category more along the lines of decent. Maybe Anticon and Immortal Technique can tour together for the MOST OVERRATED RAPPERS TOUR 2010. By the way, does anyone know why Atmosphere left Anticon? It’s because they suck balls. For Anticon fans who will write me hate mail, I hope you enjoy writing it as much as I’ll enjoy reading it.

Lil Wayne

Lil Wayne

Most people who ride Lil Wayne’s jock are below the age of 21. He’s a decent rapper but he’s listed here simply because he’s getting way too much recognition during a time when hip hop is at a low point. Because there’s such a terrible pool of MC’s at right now in mainstream rap, Lil Wayne gets by as an above-average artist. Declaring himself the greatest rapper of all time made his teenage brethren defend him even more. Sometimes it’s fun to watch nonsense manifests itself and tries to act as if it’s making sense.

Young Jeezy

Young Jeezy

I wonder if Jeezy walks around with a bucket of hooks just in case he has to stop in the studio on short notice. It feels as if he half-asses his verses just to reach the hook where he puts in an effort. There’s much too much hoopla around Jeezy, a rapper that hasn’t made true hip hop heads blink an eye. With our ADD attention span these days, a decent hook is all it takes to get a hot single that the MTV generation will buy. There’s always a rapper like this but there’s too many of these guys in hip hop right now. It makes me sick to my stomach.

RAPPERS WHO HAVE BEEN CALLED OVERRATED BUT AREN’T

Tupac

Tupac

Don’t be a fool. I’ve read many arguments against Tupac and not one made a decent point. Most of his critics think he only rapped about drugs and guns but this isn’t the case. Another thing missing from today’s MC’s is passion. It’s not coming out int he rhymes as much as it used to. Tupac was a master of this. He’d step up to the mic and let it all out, even if the beat sucked, even if it wasn’t his best lyrics, Tupac always gave you 100%. Rappers these days seem like they’re giving you 50% most of the time.

Eminem 2

Eminem

I’m as against mainstream and pop music as any underground head would be but no matter how many records Eminem has sold, it’s downright silly to deny his skills. He can rhyme fast, slow, in harmony, hard, and off beat, an arsenal of rapping tools not many MC’s can boast of. Dr. Dre is no idiot and has hand picked two of the most recognized rappers of all time in Snoop and Eminem. That’s not a flue. You can hate what he raps about and represents, but don’t call him overrated. That’s just plain wrong.

Jay Z 2

Jay Z

Same situation and I’m not a big fan. Jay Z can pretty much do it all except drop a verse super, super hard. For those of you who don’t understand what that means, listen to Tupac, Biggie, Gift of Gab, Common or Chuck D. But Jay Z is as smooth as it gets with his skills, keeping you with the beat the whole time. Part of the reason I think some people consider him overrated is because he makes some difficult things in his songs seem easy.

Snoop 2

Snoop Dogg

Hip hop experts can make a good argument for Snoop being overrated, I won’t take that away from anyone who feels that way. However, let’s be honest, who’s the smoothest MC you’ve ever heard? When Snoop hits the mic, everyone feels like passing a joint and kicking back, in a great mood to enjoy some melodious west coast hip hop. Lyrically, Snoop is definitely not the best nor is he even in the discussion, but when he came onto the scene in the early 90s, everyone heard something different. That hasn’t changed. A lot of MC’s still try to be like Snoop, not the other way around.

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Biggie Smalls/Notorious B.I.G.

Those that call Biggie overrated are probably the same that claim Eminem isn’t a great rapper either. It’s almost not worth mentioning since the rationale behind calling Notorious overrated is about as far fetched as it gets. Listen to his catalogue and you’ll notice one of his best skills is coming hard on beats with his delivery. Not many MC’s can do this as I believe it’s one of the rarest qualities in hip hop today. Biggie was one of the best at this, as well as his west coast foe, Tupac. They died and some of hip hop died with them. True story. :(

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The Game

People try to hate on the Game but they have no clue about what makes up a great MC. For a gangster rapper, The Game is as good as they game. He’s got that raspy, tough delivery and a clever way with thug lyrics. Some hip hop critics put too much emphasis on vocabulary and don’t focus on wordplay, a trick that seems to deteriorate as the years go on in popular rap. You have to respect Game for what he does in his niche, a world that isn’t true hip hop but we’re forced to listen to anyways. Dr. Dre and Snoop turned gangster rap into a fun time and The Game carries on the tradition.

THE TIP TOP OF HIP HOP

Monday, May 4th, 2009

I’ve made a list, in no particular order, of some of the greatest hip hop albums of all time, stop pop culture style. Most of these albums dropped before hip hop had even become “pop culture”. Please, feel free to lend more as these aren’t the be all, end all.

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Nas – Illmatic

Some consider this to be the greatest hip hop album of all time although I tend to disagree, albeit due to personal reasons, not facts. However, this classic lesson in true hip hop can’t be disputed as one of the best since damn near every track hits hard and Nas’s lyrical flow is hard to stop listening to.

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Del the Funkee Homosapien – I Wish My Brother George Was Here

This is one of those Pulp Fiction albums of greatness: it’s not great fundamentally but incredibly innovative and difference, hence, making it incredible. This was Del’s introduction to hip hop fans and there were no questions asked afterwards knowing now that Del was an incredibly gifted rapper as well as one of strangest son of a bitches hip hop will ever know.

nia

Nia – Blackalicious

Any true hip hop head will tell you it’d be hard to find a better rapper than Gift of Gab from Blackalicious. There really isn’t anything he can’t do on the mic. If you really want proof of this, Nia is the album for you. And, if you have a chance, download or buy the single “Swan Lake” that Gift of Gab did with DJ Shadow around the same time, one of the greatest hip hop songs of all time. ‘Nuff said.

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Freestyle Fellowship – Innercity Griots

Quite possibly the album that put underground hip hop on the map forever, Fellowship’s Innercity Griots is a classic to anyone who knows about hip hop on the west coast. You mentioned Fellowship (nobody bothers with the word Freestyle anymore) on the left coast and you’re bound to run into some smiles. Aceyalone and Mikah 9 lead the way of the lyrically gifted Los Angeles hip hop ensemble definitely worthy of a listen and a buy.

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Notorious B.I.G. – Ready to Die

Here’s something interesting: I’m a west coast guy however, you will not see any Tupac albums on this list. Why? None were quite good enough. 2Pac had some classic, great songs, but not any true classic albums. At least not in my book. From first song to last song, Ready to Die is incredible. What’s funny is the big hits from Biggie’s first album (Juicy, Big Papa, One More Chance) aren’t even the best song. The title track, Ready to Die, is incredible. Listen to it. Then, listen to it again and again and again until you realize how damn good it is.

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The Roots – Do You Want More?!!!??!

Ah, the Roots, possibly the most gifted hip hop ensemble all around since they make all of their music with instruments and have a great rapper to boot. When this album dropped, it blew everybody in the world of hip hop away. The songs were jazzy but hit hard and still remained mellow and melodious. What’s great about the Roots is they have a unique sound that’s impossible to mimic and their first album is a very indicative of this.

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Tribe Called Quest -Midnight Marauders

Yes, you may think I’m a whack job with this choice since so many hip hop fans would pick Tribe’s first or second album as their best however, their third installment was a complete sleeper and therefore makes this list on that little fact alone. Tribe fans tend to get caught up in their Bonita Apple Bum and Scenario days, both classic hip hop tracks. The final cut on this album, God Lives Through, is one for the ages, and an incredibly fun song to listen to if you’re a hip hop fan that goes way back. To hear Tribe name some of their hip hop brethren in this song always gives me the goose bumps.

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New Jersey Drive Soundtrack Vol. 1 & 2

I don’t think any of our newer hip hop heads have ever heard of New Jersey Drive or its classic soundtrack, an album that was far better than the movie it was made for. There’s so many hidden gems on these two volumes that it’s hard to pick which ones stand out but “You Won’t Go Far” by O.C. and Organized Konfusion is one of the better tracks. But this purely east coast lineup is damn hard to beat just to name a few of them: Organized Konfusion, O.C., Black Moon, Outkast, Redman and Notrious B.I.G. Buy this album and show it off to all your homies that have never heard of it.

entroducing

DJ Shadow – Entroducing

Quite possibly the greatest musical hip hop achievement of all time, DJ Shadow’s first album, Entroducing, is one of the most amazing gifts to your ear you will ever receive. Listen as he takes you on the most incredible journey through the sounds of hip hop that you will ever take in your life. This man is so damn gifted and this album so great that it doesn’t even need rapping in it. It should be every rapper’s dream to make a song with DJ Shadow at the helm because his beats are perfectly constructed without even a minor blemish. If you haven’t heard this album, GET IT!!! All you need to do is shut your pie hole and listen to hip hop music at its finest.